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Giclée Print of Lakshmi Narayan, Patan Nepal

Paintings by Joy Lynn Davis are available as limited edition giclée prints, with all proceeds benefiting the non-profit Himalayan Art and Cultural Heritage Project, Inc. (501c3 status pending).  The Himalayan Art and Cultural Heritage Project works to celebrate and protect the artistic and cultural heritage of Nepal and the greater Himalayan region by promoting public awareness and education, encouraging scholarship, supporting preservation efforts and the continuation of artistic practices, discouraging illicit-traffic and facilitating voluntary returns of cultural artifacts.

 

Giclées are signed and numbered in limited editions of 100, printed with the highest quality archival inks on 22×30″ Arches cold press watercolor paper. Printed image size is approximately 17×24″, allowing a 2.5-3″ border.  Each giclée print comes with a certificate of authenticity and information about the sculpture, artist, and non-profit.

 

Prints are available at tiered pricing:

  • $510 – Supporters Club
    includes a $200 tax-deductible donation
  • $410 – Suggested Donation
    includes a tax-deductible donation of $100
  • $310 – Base Price
    proceeds benefit the non-profit, but no additional donation is included

Information from the artist, Joy Lynn Davis:

“15th Century Lakshmi-Narayan, Patan, Nepal”

This image was painted with acrylics and 23 karat gold on cotton rag paper. It was painted entirely in Nepal, both from my home in Patan and at the Kathmandu Contemporary Arts Center in the gardens of the former royal palace which is now the Patan Museum. The stunning sculpture in the image is Lakshmi-Narayan – half male, half female and embodying both Lakshmi and Vishnu (Narayan). Women, especially pregnant women, worship this god. It is said that if a pregnant woman pours oil over the head and it trickles down the male chest she will have a boy, and if it trickles down the female breast, a girl. This sculpture was auctioned in New York in 1990 and currently remains in the United States.

Giclée Print of Saraswati, Pharping, Nepal

Paintings are available as limited edition giclée prints, with all proceeds benefiting the non-profit Himalayan Art and Cultural Heritage Project, Inc. (501c3 status pending).  The Himalayan Art and Cultural Heritage Project works to celebrate and protect the artistic and cultural heritage of Nepal and the greater Himalayan region by promoting public awareness and education, encouraging scholarship, supporting preservation efforts and the continuation of artistic practices, discouraging illicit-traffic and facilitating voluntary returns of cultural artifacts.

 

Giclées are signed and numbered in limited editions of 100, printed with the highest quality archival inks on 22×30″ Arches cold press watercolor paper. Printed image size is approximately 17×24″, allowing a 2.5-3″ border.  Each giclée print comes with a certificate of authenticity and information about the sculpture, artist, and non-profit.

 

Prints are available at tiered pricing:

 

  • $510 – Supporters Club
    includes a $200 tax-deductible donation
  • $410 – Suggested Donation
    includes a tax-deductible donation of $100
  • $310 – Base Price
    proceeds benefit the non-profit, but no additional donation is included

Information from the artist, Joy Lynn Davis:

“12th Century Saraswati, Pharping, Nepal”

The original image was painted with acrylics and 23 karat gold on cotton rag paper. It was painted entirely in Nepal, though in several locations. I started it in my home in Patan while I had a terrible fever, later worked on it in my painting studio with the Kathmandu Contemporary Arts Centre in the Patan Museum, and finally finished it while staying at Namuna Ghar in Bhaktapur. Before I began, I made many visits to the site where this gorgeous sculpture resides in the lovely hill town of Pharping, in southern Kathmandu Valley. She is Saraswati, the goddess of knowledge and creativity. In the early 1980’s her head was stolen, forcing worshippers to leave offerings on the neck. The head was later found and returned from abroad. It now resides in Nepal’s National Museum. The community has commissioned a new head and worship continues. The graffiti on the wall was done by local children, who ask her for help passing their courses. The children’s writing warms my heart. It’s sweet and funny. On the right, a student lists a very long list of classes he or she is struggling with. Another writes their name “+Saraswati” in Nepali. And my favorite – another writes “I love Niva” then crosses out “Niva”!

Giclée Print of Vishnu with Dancing Goddesses

All proceeds from the sales of these limited edition giclée prints benefit the Himalayan Art and Cultural Heritage Project, Inc. (non-profit 501c3 status pending), which works to celebrate and protect the artistic and cultural heritage of Nepal and the greater Himalayan region by promoting public awareness and education, encouraging scholarship, supporting preservation efforts and the continuation of artistic practices, discouraging illicit-traffic and facilitating voluntary returns of cultural artifacts.

 

Giclées are signed and numbered in limited editions of 100, printed with the highest quality archival inks on 22×30″ Arches cold press watercolor paper. Printed image size is approximately 17×24″, allowing a 2.5-3″ border.  Each giclée print comes with a certificate of authenticity and information about the sculpture, artist, and non-profit.

 

Prints are available at tiered pricing:

  • $510 – Supporters Club
    includes a $200 tax-deductible donation
  • $410 – Suggested Donation
    includes a tax-deductible donation of $100
  • $310 – Base Price
    proceeds benefit the non-profit, but no additional donation is included

Information from the artist, Joy Lynn Davis:

“17th Century Vishnu with Dancing Goddesses, Sankhu, Nepal”

The  image was painted with acrylics and 23 karat gold on cotton rag paper. The central god is Vishnu, the protector and maintainer of the universe. The two dancing goddesses attending him were stolen in the early 1980s. Even now the two niches remain empty. This is the first painting I did of this series. In 2010 I began the research for this series, walking all over the Kathmandu Valley in monsoon season, visiting sites of previously documented thefts. When I found this site, I was overcome by the powerful beauty of the shrine in the middle of the field. In summer 2011, I finally had the time I needed to find the vision for this series of paintings. I told everyone I was going out of town. I locked myself in the house without any distractions – alone with no phone or laptop. Even now when I close my eyes, I can envision the details of this painting more clearly than any other I’ve ever done.